Hughes the Funkmeister!
Review Score: 








(8/10)
Here comes Glenn Hughes in his funky man guise, dressed in leather and small specs looking like he's 30-something. I'm not exactly sure what krystal karma is, or if that's what is in the silver "thermos" Glenn is holding, but if it's represented here then it sounds just fine to me! Going for more stylistic extension than on "Addiction," Glenn hits more highs and lows than on recent outings. "State I'm In" kicks off in typical post 90's hard rock fashion, sounding like it may have come off any one of Glenn's last several records. But starting with "It's Alright," and carrying through "Switch the Mojo" (Austin Powers influenced?) and "Angela" it's apparent that Glenn intent is on upping the funk ante. The bass lines are fun, and run playfully alongside the spirited drumming. Occassionally slipping back into heavy rock, the album maintains a sensible balance between an updated "Stormbringer" and Sabbath's "Seventh Star" (Tony Iommi cowrites "Gone"). The album winds out with "Owed to J," a funky instrumental, apparently a tongue-and-cheek respin of "Owed to G" from Purple, and trademark Hughes baladry of "Days of Avalon." The later is one of Glenn's finest and most heartfelt, on par with "Blue Jade" from "Addiction." One thing you have to give Hughes credit for is his adventurous spirit and youthful ambition, and the fact that he doesn't employ the turnstile of famous session musicians to back his work. *The limited edition double album features a live from Brazil (circa '99) six song concert containing excellent renditions of "No Stranger to Love" and "First Step of Love," as well as 2 Trapeze songs and 2 new ones.
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