However, I can't much recommend this album to anyone but the biggest HoJo fan, and maybe even not to some of them. How a man who just a few years earlier was singing about not being brought down by the "doom crew" could end up writing such a thoroughly depressing album is beyond me. Some of these sad songs are enjoyable and some are embarrassing ("The Voices Are Back" has to be one of HoJo's worst ever) but taken as a whole this album just wears on the listener.
I don't know whether HoJo lost his major label affiliation or he decided he no longer wanted to be involved in big, corporate music. Either way, this album clearly signaled the change in Howard toward targeting a smaller audience.
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