So let's judge, shall we?! First of all, this album, which was largely concocted by Gilmour and a team of session players (Wright and Mason hardly even play on it)could be considered a Gilmour solo album. Even the previous (and far superior) "Pink Floyd" album "The Final Cut", often considered a Roger Waters solo album, had more imput from other Floyds than this one does. But in fact Dave Gilmour's previous solo outing "About Face" is much better than this album. There is too much late '80s "atmospheric" synth gimmickry here, and not enough interesting tunes. Gilmour often makes it seem like his battles with Waters came from the clash of his musicality with Waters' interest in album concepts and lyrics, but there's little evidence of that musicality here - Gilmour did come up with great tunes on occaison (e.g. "Wish You Were Here" and "Comfortably Numb"), but there's nowhere near enough to carry a whole album here. "Learning to Fly" and "One Slip" are decent songs, while "On the Turning Away" and the instrumental "Terminal Frost" are quite good indeed. The rest is rather dull, in my opinion. At least Gilmour and co. were to do much better with the "Division Bell"
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